Showing posts with label Ragnar Lodbrok. Show all posts
Showing posts with label Ragnar Lodbrok. Show all posts

Sunday, 3 August 2014

Waiting for Vikings - Season 3

The third season of Vikings is still months away, but while you're waiting you can kill time by reading some of my earlier blog posts about the TV-series and about the sagas and legends on which it is build. I will also recommend you to go further and read The Sagas of Ragnar Lodbrok.




Here are posts about Vikings, Ragnar Lothbrok, Aslaug, and other legendary and historical persons in the series:






Review of Vikings Season 2

Ragnar, Lagertha and Bjorn are ready for season 3 of Vikings

Ragnar, Lagertha and Rollo are ready for season 3 of Vikings


For all who want to read alternative Viking stories, I have written two novellas (The Slayer Rune and The Lethal Oath) and I'm working on a third (The Red Gold). You can also follow me on Facebook.


Sunday, 9 March 2014

Review of Vikings Season 2

(SPOILERWARNING)
After two episodes in the second season of Vikings, we see a new conflict evolve, between Ragnar Lothbrok and King Ecbert, ruler of Wessex. On their voyage to raid in Northumbria, the fleet of Earl Ragnar and King Horik runs into a storm, gets out of course, and lands in Wessex. Here they meet King Ecbert's warriors.

Rollo in season 2 of Vikings
Going into battle bare-headed and stripped to the waist.
Not a very smart way to face sharpened longaxes,
swords and spears.

It took nearly two episodes to establish a new conflict in the series. In episode one, nothing much happened. The old conflicts were renewed: Lagertha had to give way for Aslaug, Ragnar's new woman, and Lagertha left him, taking their son Bjørn with her. Ragnar is still in conflict with his brother Rollo and with Jarl Borg. Of course the whole season opened with a great  battle full of blood and killing, very well made. Such battle scenes nevertheless make me reflect on how much film depends on showing events visually. In the turmoil of battle, for viewers to be able see who is fighting who, the creators (in this case Michael Hirst) have to strip the heroes of their helmets, and in Vikings even of their mail. To let warriors fight without any forms of protection, stripped to their waists, may be sexy, but in real life it would have been sheer stupidity.


Anyway,  having seen the Season 2 Trailer on YouTube, many fans of the series feared that Floki would die, but he survived the battle, and in episode two has finished building Ragnar's fleet and made it ready to sail west into new battles. In England the conflict with Ecbert will develop, and I'm looking forward to the rest of the episodes. As in the first season, the show has lots of exiting characters, good action, and realistic Viking settings. I'm sure the conflicts will deepen, and I'm also sure that more unrealistic battle scenes will impress both me and many other fans.


 


On the blog I've written more post about Vikings, Ragnar Lothbrok, Aslaug, and other legendary and historical persons in the series:






For all who want to read Viking stories, I have written two novellas (The Slayer Rune and The Lethal Oath) and I'm working on a third (Gold).



For an analysis of the use of mythological symbols in this teaser, go to The Viking Rune (blog).

Tuesday, 4 March 2014

Vikings: Life and Legend

Today I received a very encouraging message from one of my readers. He had read an article in The Guardian about the coming Viking exhibition at British Museum. In a review of the exhibition the Guardian journalist asks for a more engaging Viking story. My reader had titled his message: John Snow tells the story.

Tha background is that  British Museum in London opens the exhibition Vikings: Life and Legend on the 6th of March this year. It is the largest Viking exhibition at the museum for more than 30 years and at its centre is Roskilde 6, the biggest Viking ship ever found. From stem to stern it is unbelievingly 37 meters long.

Roskilde 6, 37 meters long; the largest Viking ship ever?
Roskilde 6, 37 meters long; the largest Viking ship ever?

Wednesday, 13 November 2013

The Great Heathen Army seizes Northumbria

Often historical fiction inspires me to read history, eager to know more about the age and historical places in which the fictional story is placed. When I read The Northumbrian Saga by A.H. Gray, I immediately wanted to know more about the king brothers Osberht and Ælla who fought among themselves when the Danes invaded York with the Great Heathen Army in 866.

Ivar the Boneless
Some historians mean that Ivar the Boneless suffered from
brittle bones disease and had to be carried by his men.
Others claim that Ivar was the giant Viking leader that was
buried near Repton

For historical persons, places, and maps, Wikipedia usually is a good starting point, but in this particular case A.H. Gray has a very informative blog. Here one can read about York (Jorvik), the forming of Northumbria, and Ivar the Boneless, and his brother Halvdan, who became ruler of London and later King of Jorvik.


Alfred the Great
Alfred the Great
The leaders of Great Heathen Army were Ivar the Boneless, Halvdan, and Ubbe, who were sons of the legendary hero Ragnar Lodbrok. Their story is told in The Sagas of Ragnar Lodbrok, but when I read A.H. Gray’s book, I preferred to study a chapter in the very interesting Norwegian book Vikinger i krig (Vikings at War) in which the Viking invasion of East Anglia, Northumbria, and Mercia, and the establishment of the Danelaw is described. In a failed attempt to conquer all of England, the Great Heathen Army fought sevel battles against armies from Wessex, lead by Alfred the Great. This is a very exciting period in British history and also the period of Uthred, the hero in Bernard Cornwall’s Saxon series.



REVIEWS:

Vikinger i krigVikinger i krig by Kim Hjardar
My rating: 5 of 5 stars

Vikinger i krig meaning "Vikings at War" is a very good Norwegian book about Viking warfare. It tells about the Vikings as raiders and conquerors, and the book retells how they established long-lasting realms in Ireland, Scotland, England, France and Russia. The book is beautifully illustrated with a wealth of informative photos, drawings, maps and graphics. It describes Viking war strategies at sea and on land, and it contains an especially interesting chapter about Viking weapons: their use and the weapons mythological and religious significance.


The Northumbrian Saga (Book 1)The Northumbrian Saga by A.H. Gray
My rating: 3 of 5 stars

The Northumbrian Saga by A.H. Gray tells a story of war and power struggles from a woman’s point of view. In the beginning of the book, young Aethelwin is married to the son of a powerful chieftain to assure his allegiance to King Osbert of Northumbria, Aethelwin's uncle. However, her husband changes his allegiance to Aella, the bastard brother of the king and his rival to the throne. Aethelwin experiences a conflict of loyalties and has to choose side in the conflict. Things don’t get easier for Aethelwin when The Great Heathen Army, led by Halvdan and Ivarr the Boneless (two legendary sons of Ragnar Lothbrok), invades York with the intention to conquer the whole of Northumbria and make it a Danish dependency.

Seldom have I experienced the textual instance of an implied author more vividly then when reading this book. The implied author is the mental image of an author a text evokes in the reader based on the book’s language use, perspective, and content. In this particular book, neither the title, nor the author’s name or the cover, gives any indication of the real writer’s sex, but I hadn’t read many pages before a distinct female author's voice formed in my mind.

In the book, the perspective lies firmly with Aethelwin, and almost all dramatic historical events are seen from afar, told her by others, which creates a distance between the events and the reader. The book's inner story circles around the women’s life in the hall or in the house. Here Aethelwin weaves or cooks and talks and ponders; her focus is on feelings and affections and her relations to the male characters in the book. For me there is far too much talking and thinking. I don’t want to be told about fights and battles: I want to be where the action is. But then, I’m probably not the implied reader the author had in mind when writing the book.

I also feel that all the changes of affections that Aethelwin experiences are mostly claimed or asserted; the reasons for the changes are seldom shown or properly motivated. Even female events, like giving birth, are told with a distance. Erotic feelings and sexual desires are apparently absent, also in the men that control the young and beautiful Aethelwin.

This said, the language flows gently (even if anachronistic expressions frequently occur), the author has a sure hand on the use of perspective, and the story is not without suspense. On the contrary, the author’s method is to let rumours seep into the kitchen, the hall, the hovel, or wherever Aethelwin is held captive , and thus arouse hope and fear of what is going to happen in the world of fighting men. Aethelwin’s happiness depends on it, but even when she eventually is relatively free to build her own business, which she does, she continues to talk and ponder and God knows how she actually gaines her wealth. But at least she steps into the real world and tries to influence events by manipulating other people. Some of these are Danes, and in the book the Danes are mostly characterized as barbarians or “rabid dogs” by the Northumbrians, descriptions that are poorly levelled by the author. In the book there is very little understanding of the Viking world view.

The point of view character, Aethelwin, has a silly and self-righteous (and rather modern) way of thinking , but despite of – or because of – her being so irritatingly shallow and supercilious, I read on, anxious to know how the story ends. In the last part of the book, a lot of interesting things happen – in short: the war hardens – and the suspense builds up. My sympathies, however, are not with Aethelwin, but with the men and women affected by her self-absorption. I don't think that was the author's intention.

I hope that The Northumbrian Saga is the first book in a series. A.H Gray obviously knows much about the fate of Northumbria, and I want to read more.



View all my reviews

Sunday, 28 April 2013

The Sagas of Ragnar Lodbrok



The Sagas of Ragnar LodbrokThe Sagas of Ragnar Lodbrok by Ben Waggoner
My rating: 4 of 5 stars

It’s not an easy read. The Sagas of Ragnar Lodbrok is patchwork of literary styles, genres, and stories. Add a lot of names and genealogies and a rather wordy translation, and you have a bit of work ahead of you.

But it’s worth it. The Sagas of Ragnar Lodbrok contains tree sagas, a list of Swedish kings, and a long poem, Krákumál. If you’re unaccustomed with the Old Icelandic literary style, you should start with the sagas: Read The Saga of Ragnar Lodbrok first, then The Tale of Ragnar’s Sons, and Sögubrot last. Taken together, the sagas give the heroic legends of Ragnar and his sons: Ivar the Boneless, Sigurd Snake-in-the-Eye, and the others.


Tuesday, 26 March 2013

Vikings - a historical fantasy series?


Review:
The History Channel series Vikings is a fabulous saga full of exiting characters, good action, and realistic Viking settings. In four episodes we have followed Ragnar Lothbrok (played by Travis Fimmel). So far I’m impressed. Just as Ragnar at the end of episode four is preparing for more action, so am I.


The Lothbrok character is built on the sagas of Ragnar Lodbrok, who was a legend even in the late Viking Age, and definitely when the sagas were written half a millennium after Ragnar’s death. Despite being shown on History Channel, Vikings is not a historical series in a strict sense; it is rather a new version of the ancient Ragnar Lodbrok legend. In order to tell a good story, the series even tends to be rather unhistorical.

Monday, 25 February 2013

Vikings

It seems to me there is an interest in the Viking Age these days. Here is a trailer for a new series at History Channel. The main character is Ragnar Lodbrok, one of the legendary heroes in the old sagas.