Showing posts with label Northumbria. Show all posts
Showing posts with label Northumbria. Show all posts

Friday, 4 April 2014

Swords in Rock and Harald Fairhair


The "Swords in Rock" monument seems to be an everlasting motif in the online Viking communities. I took this picture this evening just an hour before sunset. Spring is coming to Norway – now the days are longer than the nights – but only a week ago the weather still was grey, as shown in the photo below. 

Swords in Rock monument

"Swords in Rock" is a sculpture made by Fritz Røed. It is placed in Møllebukta (the Miller's Bay), which is a very popular recreation area in Stavanger. I often take an evening stroll along the seaside in Miller's Bay, experiencing the nature and the historical surroundings.

The Miller's Bay and the monument lie at the bottom of Hafrsfjord, where the famous King Harald Fairhair won a great battle in 872 AD. Having defeated a lot of petty kings supported by the Danes, he is regarded as the king who united Norway into one kingdom.

Harald Fairhair
Could Harald Fairhair have
looked like this?
King Harald Fairhair had several wives and fathered a lot of sons, who after his death fought among themselves for supremacy. Eric Bloodaxe were among the sons, and so was Hakon the Good, who was fostered by King Æthelstan in England. Coming home from England, Hakon defeated Eirik Bloodaxe, his brother, who fled to Northumbria where he later became king. After a few years Eirik's sons took revenge and killed Hakon the Good in a fierce battle on the West Coast of Norway.

Among Eirik Bloodaxe's sons, Harald Greycloak was the most prominent, and he is a major figure in "The Viking Series" (in which "The Slayer Rune" and "The Lethal Oath" are the first books, and Sigurd (who is later to be called Sigve The Awful) is the main character).

In the books, set a hundred years after the Battle of Hafrsfjord, the descendents of Harald Fairhair still fight over lands and power, and Sigve the Awful finds himself squeezed in the middle between Harald Greycloak and Godred Bjornson, another of Fairhair's powerful grandsons.

At this time in history, the Norwegian kings had close relations to the kings in England, Denmark, Sweden, and Russia, and Sigve the Awful, who becomes a great warrior and swordsman, will in the Viking Series soon have his hands full in the struggles between the mighty kings. Exactly how Sigve will manoeuvre in these struggles are among the things I ponder when I stroll along the beaches in Hafrsfjord watching the Swords in Rock sculpture.

In the first two books, young Sigurd is still trying to find his place in his Viking world. A task that becomes very complicated when he falls in love with the mysterious thrall girl Yljali.

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Wednesday, 5 February 2014

Harald Hardrada in book trilogy

The last couple of years I've read a lot of British historical fiction with action from the Viking Age: Bernard Cornwell, Robert Low (my favourite), Giles Kristian, Tim Severin and others. For a Norwegian (used to the Scandinavian heroic view on the Vikings) it is very revealing to get the Viking Age interpreted from a British and often English perspective.

Among the many professional authors there are also some indie authors writing from the Viking Age, and here on my blog I've previously reviewed A.H. Gray and now Peter C. Whitaker.


Review:

  The War Wolf (The Sorrow Song Trilogy #1)The War Wolf by Peter C. Whitaker
My rating: 4 of 5 stars

The historical fiction novel The War Wolf is the first in a trilogy about the events in England in 1066. In The War Wolf the author, Peter C Whitaker, tells the captivating story of The Battle of Fulford, which marked the beginning of an extremely consequential chain of events that would change the history of England and the World.

According to the author, the Battle of Fulford Gate is the forgotten battle, overshadowed by the more famous battles of Stamford and Hastings. The Battle of Fulford is nevertheless an important part of history and its outcome was important for the following actions and events. In the battle Harald Hardrada and a huge Norwegian army crushed a Northumbrian army lead by Eorl Edwin and Eorl Morcar.

In the novel we meet King Harald Hardrada (the war wolf), the Northumbrian earls Edwin and Morcar, the brothers (and enemies) Tostig and Harold Godwinson (King of England) and a lot of other historical and fictional characters, with the Northumbrian commander Coenred as the most important of the fictional characters.

A great number of characters is usually no problem in a book, but when many persons are made into point-of-view characters, such as in The War Wolf, this may be demanding on the reader. At least this reader finds the many POV characters and frequent shifts of perspective rather problematic, especially since so many of the shifts are done with little warning or indication as to whom is now thinking and perceiving. I often miss a central point of view from which the story is told and find the third-person narrator is only one of a plethora of perspectives fighting for prominence.

The writer often uses long sentences that usually runs smoothly, but when such sentences are brought into the dialogue, I feel the dialogues rather stilted.

This said, most of the descriptions of weather, landscape, weapons and fighting is engaging and after some time you get to know the characters. As the story unfolds (and you get used to the strange shifts in perspectives) the events take you and the books becomes very exciting. The description of the Battle Fulford is very engaging and all in all The War Wolf offers a good read. I look forward to the second book in the trilogy. I guess that book will be about the Battle of Stamford Bridge.

Harald Hardrada dies at the Battle of Stamford Bridge
Harald Hardrada dies at the Battle of Stamford Bridge


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Saturday, 25 January 2014

Film trilogy about Harald Hardrada: A real game of thrones

If last autumn's rumours are true, a tree-part movie - a film trilogy - will be made about Harald Hardrada. That is a rumour that I - with my choice of profile image - really hope is true. Harald Hardrada (hard ruler) is one of my favourite Viking figures; he lived a fantastic life and died a most spectacular death. He was the great Norwegian warrior king who tried to conquer England in 1066.

Harald Hardrade in a tree-part movie
Harald Hardrada talking with Sweyn Estridsson while they
were still friends. Sweyn later became King of Denmark and
Harald's enemy. Harald, who became King of Norway,
 meant he had a legitimate claim to the Danish throne.
(This drawing is from Snorri's Heimskringla and the
observant reader will see that my profile image (illustrating
 John Snow, my pen name) is built on this drawing.)

According to the Norwegian newspaper Stavanger Aftenblad, Barrie Osborne will produce a film trilogy based on Harald Hardrada's life. Barrie Osborne is the well-known producer of Matrix and The Lord of the Rings. It is not clear if this film project is the same as Warner Brother's King Harald in which Leonardi DiCaprio is rumoured to play Harald Hardrada.

Leonardo DiCaprio as Harald
Hardrada in planned movie?

Wednesday, 13 November 2013

The Great Heathen Army seizes Northumbria

Often historical fiction inspires me to read history, eager to know more about the age and historical places in which the fictional story is placed. When I read The Northumbrian Saga by A.H. Gray, I immediately wanted to know more about the king brothers Osberht and Ælla who fought among themselves when the Danes invaded York with the Great Heathen Army in 866.

Ivar the Boneless
Some historians mean that Ivar the Boneless suffered from
brittle bones disease and had to be carried by his men.
Others claim that Ivar was the giant Viking leader that was
buried near Repton

For historical persons, places, and maps, Wikipedia usually is a good starting point, but in this particular case A.H. Gray has a very informative blog. Here one can read about York (Jorvik), the forming of Northumbria, and Ivar the Boneless, and his brother Halvdan, who became ruler of London and later King of Jorvik.


Alfred the Great
Alfred the Great
The leaders of Great Heathen Army were Ivar the Boneless, Halvdan, and Ubbe, who were sons of the legendary hero Ragnar Lodbrok. Their story is told in The Sagas of Ragnar Lodbrok, but when I read A.H. Gray’s book, I preferred to study a chapter in the very interesting Norwegian book Vikinger i krig (Vikings at War) in which the Viking invasion of East Anglia, Northumbria, and Mercia, and the establishment of the Danelaw is described. In a failed attempt to conquer all of England, the Great Heathen Army fought sevel battles against armies from Wessex, lead by Alfred the Great. This is a very exciting period in British history and also the period of Uthred, the hero in Bernard Cornwall’s Saxon series.



REVIEWS:

Vikinger i krigVikinger i krig by Kim Hjardar
My rating: 5 of 5 stars

Vikinger i krig meaning "Vikings at War" is a very good Norwegian book about Viking warfare. It tells about the Vikings as raiders and conquerors, and the book retells how they established long-lasting realms in Ireland, Scotland, England, France and Russia. The book is beautifully illustrated with a wealth of informative photos, drawings, maps and graphics. It describes Viking war strategies at sea and on land, and it contains an especially interesting chapter about Viking weapons: their use and the weapons mythological and religious significance.


The Northumbrian Saga (Book 1)The Northumbrian Saga by A.H. Gray
My rating: 3 of 5 stars

The Northumbrian Saga by A.H. Gray tells a story of war and power struggles from a woman’s point of view. In the beginning of the book, young Aethelwin is married to the son of a powerful chieftain to assure his allegiance to King Osbert of Northumbria, Aethelwin's uncle. However, her husband changes his allegiance to Aella, the bastard brother of the king and his rival to the throne. Aethelwin experiences a conflict of loyalties and has to choose side in the conflict. Things don’t get easier for Aethelwin when The Great Heathen Army, led by Halvdan and Ivarr the Boneless (two legendary sons of Ragnar Lothbrok), invades York with the intention to conquer the whole of Northumbria and make it a Danish dependency.

Seldom have I experienced the textual instance of an implied author more vividly then when reading this book. The implied author is the mental image of an author a text evokes in the reader based on the book’s language use, perspective, and content. In this particular book, neither the title, nor the author’s name or the cover, gives any indication of the real writer’s sex, but I hadn’t read many pages before a distinct female author's voice formed in my mind.

In the book, the perspective lies firmly with Aethelwin, and almost all dramatic historical events are seen from afar, told her by others, which creates a distance between the events and the reader. The book's inner story circles around the women’s life in the hall or in the house. Here Aethelwin weaves or cooks and talks and ponders; her focus is on feelings and affections and her relations to the male characters in the book. For me there is far too much talking and thinking. I don’t want to be told about fights and battles: I want to be where the action is. But then, I’m probably not the implied reader the author had in mind when writing the book.

I also feel that all the changes of affections that Aethelwin experiences are mostly claimed or asserted; the reasons for the changes are seldom shown or properly motivated. Even female events, like giving birth, are told with a distance. Erotic feelings and sexual desires are apparently absent, also in the men that control the young and beautiful Aethelwin.

This said, the language flows gently (even if anachronistic expressions frequently occur), the author has a sure hand on the use of perspective, and the story is not without suspense. On the contrary, the author’s method is to let rumours seep into the kitchen, the hall, the hovel, or wherever Aethelwin is held captive , and thus arouse hope and fear of what is going to happen in the world of fighting men. Aethelwin’s happiness depends on it, but even when she eventually is relatively free to build her own business, which she does, she continues to talk and ponder and God knows how she actually gaines her wealth. But at least she steps into the real world and tries to influence events by manipulating other people. Some of these are Danes, and in the book the Danes are mostly characterized as barbarians or “rabid dogs” by the Northumbrians, descriptions that are poorly levelled by the author. In the book there is very little understanding of the Viking world view.

The point of view character, Aethelwin, has a silly and self-righteous (and rather modern) way of thinking , but despite of – or because of – her being so irritatingly shallow and supercilious, I read on, anxious to know how the story ends. In the last part of the book, a lot of interesting things happen – in short: the war hardens – and the suspense builds up. My sympathies, however, are not with Aethelwin, but with the men and women affected by her self-absorption. I don't think that was the author's intention.

I hope that The Northumbrian Saga is the first book in a series. A.H Gray obviously knows much about the fate of Northumbria, and I want to read more.



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Sunday, 28 April 2013

The Sagas of Ragnar Lodbrok



The Sagas of Ragnar LodbrokThe Sagas of Ragnar Lodbrok by Ben Waggoner
My rating: 4 of 5 stars

It’s not an easy read. The Sagas of Ragnar Lodbrok is patchwork of literary styles, genres, and stories. Add a lot of names and genealogies and a rather wordy translation, and you have a bit of work ahead of you.

But it’s worth it. The Sagas of Ragnar Lodbrok contains tree sagas, a list of Swedish kings, and a long poem, Krákumál. If you’re unaccustomed with the Old Icelandic literary style, you should start with the sagas: Read The Saga of Ragnar Lodbrok first, then The Tale of Ragnar’s Sons, and Sögubrot last. Taken together, the sagas give the heroic legends of Ragnar and his sons: Ivar the Boneless, Sigurd Snake-in-the-Eye, and the others.